This is Tryno Maldonado’s latest offering and the only way I can deal with it is in terms of comparisons. In the spirit of complete honesty, I must admit that I like all my benchmarks more than this novel. In some ways, Temporada reminds me of a VH1 “Behind the Music” episode–the story of an artist whose fame carries him to the height of success before beginning the long, downward spiral into self-destructive behavior–but without the upturn at the end. Same thing goes for Luis Humberto Crosthwaite’s Idos de la mente, except Crosthwaite’s book is more entertaining and there is a relatively happy, corrido-esque ending. If Maldonado was hoping for biting commentary about the vacuity of nouveau rich investors in Mexico’s plastic arts scene, he came up short of Álvaro Enrigue’s Muerte de un instalador, a novel that I’m only lukewarm about, but found more interesting and well-written. That said, Álvaro’s later books have been thoroughly enjoyable and well worth the read, especially Hipotermia. If, on the other hand, the goal was to satirize the artistic circles, Enrique Serna’s Miedo a los animales has more bite. On the upside, some of the supporting characters–Orlando and Nostalgic Zebra–are at least entertaining.